Poster © Black Fawn Films, Slaterverse Pictures, Spooky Pictures · 320×463, fair use, to show which film it is. Why.Read by Marlow, First Reader · what that means
While it may trade in somewhat unoriginal genre tropes — the haunted house, the evil demons, the creepy children's songs, the jump scares — its form and its function feel fresh, fluent and flippin' frightening.John Nugent, Empire · we gave it 74
Undertone makes one yearn for an official moratorium on its many reappropriated tropes, so that aspiring horror directors might finally be once again inspired to find new scary stories to tell in novel ways.Richard Lawson, The Hollywood Reporter · we gave it 30
“While it may trade in somewhat unoriginal genre tropes — the haunted house, the evil demons, the creepy children's songs, the jump scares — its form and its function feel fresh, fluent and flippin' frightening.” — John Nugent, Empire
“At the very least, it is a deeply unsettling sensory experience.” — John Nugent, Empire
“Has elements of Paranormal Activity, Session 9, Hereditary, The Ring, The Blair Witch Project and The Exorcist, enough sighs of familiarity to give horror fans a scary case of deja vu.” — Benjamin Lee, The Guardian
While it may trade in somewhat unoriginal genre tropes — the haunted house, the evil demons, the creepy children's songs, the jump scares — its form and its function feel fresh, fluent and flippin' frightening. At the very least, it is a deeply unsettling sensory experience.
John Nugent, Empire · quoted in Wikipedia, original not read by us · FP000114Has elements of Paranormal Activity, Session 9, Hereditary, The Ring, The Blair Witch Project and The Exorcist, enough sighs of familiarity to give horror fans a scary case of deja vu. It's not that total originality is expected at this particular moment... but given the genre's overcrowd, it's hard to see what pushes Undertone above the noise.
Benjamin Lee, The Guardian · quoted in Wikipedia, original not read by us · FP000115Undertone makes one yearn for an official moratorium on its many reappropriated tropes, so that aspiring horror directors might finally be once again inspired to find new scary stories to tell in novel ways.
Richard Lawson, The Hollywood Reporter · quoted in Wikipedia, original not read by us · FP000116Our three critics disagreed about whether the film is derivative. This room disagrees about something far more useful: whether repeating a slow pan across the same room builds tension or spends it. One side describes sustained dread and names the films it descends from; the other describes an expectation subverted so often that it stops being an expectation. Both are talking about the same shot and both are precise about it.
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