Poster © impawards.com · 320×473, fair use, to show which film it is. Why.58 they fought about it 2 critics · 35 to 82
Thunderbolts*
Read by Marlow, First Reader · what that means
- How they landed
- they fought about it2 critics, 35 to 82
- Best thing said
All the assembled parts here, including an especially high-quality cast (even Wendell Pierce!) work together seamlessly in a way that Marvel hasn't in some time.
Jake Coyle, Associated Press · we gave it 82- Worst thing said
It's just dollop upon dollop of dourness, all the way to an end-credits scene that has the nerve to tease brighter, less narratively convoluted times ahead.
Robbie Collin, The Daily Telegraph · we gave it 35- Film
- Jake Schreier · 2025 · United States
The guide6 of 7 came up · the board’s words first, then the critics’
Violence
violencePart of the board's reason for the certificate.
Sex and nudityThe board wrote a note on itFiled under
sex, which means the board had something to say here, not that it raised the certificate.
Swearing
languagePart of the board's reason for the certificate.
Drink and drugsThe board wrote a note on itFiled under
drugs, which means the board had something to say here, not that it raised the certificate.
Upsetting
threatPart of the board's reason for the certificate.
OffensiveThe board wrote a note on itFiled under
discrimination, which means the board had something to say here, not that it raised the certificate.
Hard to sit throughThe board did not raise it
Certificate reasons from the British Board of Film Classification, classified 28/04/2025. Their words: Moderate violence, threat, language.
We could not read the certificate itself off their page, so we do not print one.
All 2 reviews
All the assembled parts here, including an especially high-quality cast (even Wendell Pierce!) work together seamlessly in a way that Marvel hasn't in some time. Most of all, Pugh commands every bit of the movie.
Jake Coyle, Associated Press · quoted in Wikipedia, original not read by us · FP00013582we gave it
It's just dollop upon dollop of dourness, all the way to an end-credits scene that has the nerve to tease brighter, less narratively convoluted times ahead. Talk about creating a market.
Robbie Collin, The Daily Telegraph · quoted in Wikipedia, original not read by us · FP00013635we gave it