Poster © faber.co.uk · 320×512, fair use, to show which film it is. Why.70 they argued 6 critics · 48 to 82
Read by Marlow, First Reader · what that means · what he keeps
An accomplished continuation of the writing that made Rooney a global phenomenon, more philosophically ambitious, stylistically varied, disturbing at times and altogether stranger.Alexandra Harris, The Guardian · we gave it 82
The novel's insistence on a mood of ethical and intellectual refinement can feel claustrophobic and precious.James Marriott, The Times · we gave it 48
Nobody classifies books. There is no board that reads every novel and writes down what is in it the way one does for films, so this guide has no spine for a book and we are not going to invent one out of adjectives. What the critics said is on this page in full.
An accomplished continuation of the writing that made Rooney a global phenomenon, more philosophically ambitious, stylistically varied, disturbing at times and altogether stranger.
Alexandra Harris, The Guardian · quoted in Wikipedia, original not read by us · FP000137Sadder and less of a page-turner than her three previous novels, but it represented deeper territory for Rooney.
Laura Miller, Slate · quoted in Wikipedia, original not read by us · FP000138Mourning, it turns out, is a natural subject for Rooney, and everything about this novel — its style, theme, length — shows less ruthless restraint than Rooney's previous books.
Lillian Fishman, The Washington Post · quoted in Wikipedia, original not read by us · FP000139The characters are newly alert to the weight of years, as attuned to regret as to anticipation.
Amy Weiss-Meyer, The Atlantic · quoted in Wikipedia, original not read by us · FP000140The novel's insistence on a mood of ethical and intellectual refinement can feel claustrophobic and precious.
James Marriott, The Times · quoted in Wikipedia, original not read by us · FP000141Intermezzo lacks the taut self-assurance of Conversations with Friends and Normal People, but represents an honourable, tenacious and not unsuccessful attempt to go beyond them.
Lola Seaton, New Statesman · quoted in Wikipedia, original not read by us · FP000142<iframe src="https://fp.caelivonstudios.com/embed/intermezzo/"
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